
Somehow, Beth Cosentino and co. wrote some of the most beautifully haunting, achingly lonely and touchingly poignant (but utterly simple) music of the year. All with just a handful of chords, no bass and a four-track. Seriously.
The production is muddy; the band is ON but each song still sounds like a demo. Even so, Cosentino’s voice communicates a sense of bracing honesty – that she means what she says. What she does say involves puppy-love, kitty-cats and pot-smoking. A simple girl with simple concerns making simple music, Cosentino definitely seems more interested in bongs and backyards than 401(k)s and nine-to-fives. Still, in that simplicity lies beauty. When soaked in reverb and splashed with sunshine, songs like “When I’m With You,” “Goodbye” and “Each And Every Day” shimmer like a summer day viewed through the tinted lens of a satisfying high.
The So-Cal vibe of the 13 tracks hits like waves crashing on the beach. And for one desperate moment, each song creeps back in your memory. By capably blending girl-group hooks with grunge sounds and pop stylings, the music feels familiar and comforting – like some kind of Ronette/Hole/Beach-Boy taco. It speaks to any young person, boy or girl, who’s been in a relationship, who’s felt happy or sad or jealous or apathetic, who’s maybe felt all those ways at once. Here’s hoping that the band’s superb full-length debut, which followed a series of EPs, won’t be its last release.
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